| 丹尼·博伊尔 |
| 罗丝·巴瑞恩 | Cassie | |
| 克里夫·科蒂斯 | Searle | |
| 克里斯·埃文斯 | Mace | |
| 特罗伊·格雷提 | Harvey | |
| 斯里安·墨菲 | Capa | |
| 真田广之 | Kaneda | |
| Mark Strong | Pinbacker | |
| Benedict Wong | Trey | |
| 杨紫琼 | Corazon | |
| Paloma Baeza | Capa's Sister | |
| Archie Macdonald | Capa's Nephew | |
| Sylvie Macdonald | Capa's Niece |
| Alex Garland |
| Bernard Bellew | co-producer | |
| Andrew Macdonald | producer | |
| Andrew MacDonald | producer |
| John Murphy | ||
| Rick Smith | ||
| Karl Hyde | ||
| Underworld |
| Alwin H. Kuchler |
| Chris Gill |
| Donna Isaacson | ||
| Gail Stevens |
| Mark Tildesley |
| Gary Freeman | ||
| Stephen Morahan | ||
| David Warren | (senior art director) | |
| Denis Schnegg |
| Michelle Day |
| Suttirat Lariarb | ||
| Suttirat Anne Larlarb |
| Mark Coulier | special effects makeup designer | |
| Shaune Harrison | prosthetic makeup artist | |
| Duncan Jarman | key prosthetic makeup artist | |
| Waldo Mason | special makeup effects artist | |
| Simon Webber | special makeup effects artist | |
| Matthew Smith | key prosthetic makeup artist | |
| Nuria Mbomio | makeup artist | |
| Louise Day | fabricator | |
| Claire Green | assistant moldmaker | |
| Kristyan Mallett | special makeup effects artist |
| Bernard Bellew | unit production manager |
| Susan Drennan | third assistant director | |
| Carlos Fidel | second assistant director | |
| Toby Ford | first assistant director: second unit | |
| Richard Styles | assistant director | |
| Paul Bennett | third assistant director: additional photography unit | |
| Henry Forsyth | third assistant director: second unit | |
| Bryn Lawrence | first assistant director: model unit |
| Ravi Bansal | concept illustrator | |
| Alex Boswell | props | |
| Dominic Capon | production buyer | |
| Quentin Davies | chargehand props | |
| Arwel Evans | stand-by props | |
| Brendan Houghton | storyboard artist | |
| Chris 'Flimsy' Howes | property designer | |
| Ben Johnson | props | |
| Charlie Malik | storeman | |
| Gary Martin | props | |
| Martin McLaughlin | set dresser: Frost and Dust effects | |
| Adrian Platt | props | |
| Nick Thomas | property master | |
| Remo Tozzi | assistant art director | |
| Guy Bradley | draughtsman/standby art director | |
| Peter Dorme | draughtsman | |
| Gavin Fitch | assistant art director | |
| Stuart Meridew | props buyer | |
| Richard Van Den Bergh | prop maker | |
| Emma Vane | draughtsman | |
| Su Whitaker | assistant art director | |
| Jess Alexander | art department assistant | |
| Colin Bayliss | dressing props | |
| Pierre Bohanna | supervising modeler | |
| Laura Davison | costume fabrication buyer | |
| Anita Dhillon | graphic designer | |
| Brian Henry | stand-by props: second unit | |
| Glenn Marsh | props | |
| Libby Uppington | props | |
| Lloyd Vincent | dressing props | |
| Chris Clarke | prop mechanics | |
| Oliver Goodier | junior draughtsman | |
| Amanda Leggatt | lead art department assistant | |
| Helen Morgan | art department trainee | |
| Kathryn Pyle | assistant set decorator |
| Tim Fraser | sound recordist | |
| Glenn Freemantle | supervising sound editor | |
| Calum Thomson | sound | |
| William Towers | boom operator | |
| Hugo Adams | foley editor | |
| Niv Adiri | sound effects editor | |
| Philippe Amouroux | foley recordist | |
| Nicolas Becker | foley artist | |
| Andrew Caller | assistant sound re-recording mixer | |
| Assia Dnednia | assistant foley artist | |
| Gillian Dodders | adr & dialogue editor | |
| James Doyle | mix technician | |
| John Hayward | sound re-recording mixer | |
| Richard Pryke | sound re-recording mixer | |
| Keith Tinman | sound effects editor | |
| Iain Jamieson | assistant adr recordist (uncredited) | |
| Mark Appleby | adr recordist | |
| Brent Arrowood | score programmer | |
| Tyler Barton | additional score programming | |
| Derek Casari | adr engineer | |
| Danny Freemantle | assistant sound editor | |
| Tom Sayers | sound designer | |
| Ian Tapp | additional re-recording mixing | |
| Andy Thompson | adr mixer |
| Richard Conway | special effects director | |
| Sam Conway | special effects technician | |
| Ceri Nicholls | special effects technician | |
| Chalky White | special effects technician | |
| Claire Green | assistant moldmaker | |
| Kristyan Mallett | silicone technician | |
| Jon Bates | special effects trainee | |
| Jason Leinster | chief technician |
| Chris Armsden | rendering technical director: MPC | |
| Matthew Bristowe | digital lab producer: MPC | |
| Candace Di Talamo | color and lighting technical director | |
| Stefan Drury | visual effects producer | |
| Adrian Hedgecock | visual effects coordinator | |
| Kieron Helsdon | lead lighting technical director | |
| Roberto Hradec | lead shader writer | |
| Jarrad Linton | previs | |
| Begona Lopez | digital lab producer: MPC | |
| Sean Mathiesen | previs supervisor | |
| Andrew Morley | CG supervisor | |
| Rich Nosworthy | lighting technical director: MPC | |
| Julien Stuart-Smith | technical director: MPC | |
| Jensen Toms | on-set previs | |
| Tom Wood | visual effects supervisor | |
| Sander van der Steen | research and development | |
| Paul Alexiou | visual effects film editorial: MPC | |
| Richard Baker | senior compositor: MPC | |
| Alistair Bell | modeller | |
| Nic Birmingham | lighting technical director: MPC | |
| Paul Brannan | CG artist: MPC | |
| Andrew Bunday | rendering technical director: MPC | |
| Evangelos Christopoulos | effects technical director: MPC | |
| Rupert Davies | roto/prep artist | |
| Paul Driver | visual effects coordinator | |
| Mark Eckersley | visual effects editor | |
| Yasmine El-Ghamrawy | digital compositor | |
| James D. Etherington | digital compositor: MPC | |
| Joe Everleigh | lighting technical director | |
| Matt Foster | roto artist: MPC | |
| Bryan Litson | modeller: MPC | |
| Angela Magrath | character rigger | |
| Howard Margolius | visual effects technical director: MPC | |
| Kevin McGowan | lighting technical director: MPC | |
| Alasdair McNeill | roto/prep supervisor | |
| Richard Morris | senior technical director: lighting | |
| David Phillips | lead digital compositor | |
| Mark Richardson | digital compositor: MPC | |
| Becky Roberts | roto/prep coordinator: MPC | |
| Guillaume Rocheron | effects development: pre-production, MPC | |
| Liz Scully | senior lighting technical director: MPC | |
| Haure Sebastien | senior character modeler: MPC | |
| David Swift | digital matte artist: MPC | |
| Chris Thunig | digital matte artist: MPC | |
| Miquel Ubeda | digital compositor: MPC London | |
| Thomas Urbye | online film editor | |
| Chris Wilson | render wrangler: MPC | |
| Emma Clifton | roto/prep artist: MPC (uncredited) | |
| Rob Andrews | digital effects artist | |
| Christopher Anthony | effects technical director | |
| Andrew Baggarley | layout artist | |
| Mark Barber | digital compositor: MPC | |
| Reuben Barkataki | roto/prep supervisor | |
| David Basalla | texture artist: MPC | |
| Stephen Bearman | scanning supervisor | |
| Nigel Blake | model unit: effects technician | |
| Jessica Braun | color & lighting technical director | |
| Stuart Bullen | roto/prep artist | |
| Christophe Damiano | lighting techical director | |
| Luan Davis | roto/prep artist: MPC | |
| Amit Desai | wrangler | |
| Jonathan East | render wrangler: MPC | |
| Michael Elson | visual effects executive producer | |
| Richard Fox | roto/prep artist | |
| Julian Gnass | digital compositor: MPC | |
| Richard Gomes | visual effects | |
| Lewis Guarniere | data wrangler: MPC | |
| Qian Han | digital compositor | |
| Michael Harrison | digital compositor | |
| Jennifer Herbert | digital compositor: MPC | |
| Sean Heuston | lead compositor | |
| Jeremy Hey | digital compositor | |
| Robin Hollander | digital compositor | |
| Vlad Holst | lighting technical director | |
| Marc Hutchings | roto/prep artist: MPC | |
| Ryan Hutchings | roto/prep artist: MPC | |
| Christian Irles | digital compositor: MPC | |
| Keith Jones | roto/prep artist | |
| Owen Jones | matchmove artist | |
| Peng Ke | matchmove Artist: MPC | |
| Alec Knox | senior lighting technical director: MPC | |
| Arek Komorowski | digital compositor | |
| Douglas Larmour | digital compositor | |
| Jesus Lavin | digital compositor | |
| Jennifer Loughnan | visual effects coordinator | |
| Hugh Macdonald | digital compositor: MPC | |
| Tony Man | digital compositor | |
| Marian Mavrovic | compositing supervisor | |
| Steve McGee | compositor | |
| Marlin McGlone | data operative | |
| Nakia McGlynn | lighting technical director: MPC | |
| Naveen Medaram | digital artist: MPC | |
| Ellen E. Miki | roto artist | |
| Rafael Morant | sequence supervisor: MPC | |
| David Antonin Mucci | senior technical director: lighting | |
| Ryan Mullany | roto/prep artist | |
| Martin Newcombe | matchmove artist | |
| Joanna Nodwell | visual effects producer | |
| Simon Payne | digital artist | |
| Tim Riley | effects technical director: MPC | |
| Steve J. Sanchez | digital compositor: MPC | |
| Claude Schitter | effects animator | |
| David Scott | digital compositor | |
| Liz Scully | senior lighting technical director: MPC | |
| Paul Shore | scanning supervisor | |
| Daniel Smollan | lighting technical director: MPC | |
| Sally Spencer | visual effects line producer | |
| Anthony Stadler | wire/rig removal | |
| Paul Venn Stirling | roto artist: MPC | |
| Giuseppe Tagliavini | digital compositor: MPC | |
| Andrew Myles Thompson | matchmove Artist: MPC | |
| Gemma Thompson | visual effects coordinator | |
| Steve Tizzard | digital compositor | |
| Mark Tremble | roto/prep artist | |
| Oliver Winwood | assistant digital resource manager: MPC | |
| Melody Woodford | match move supervisor: coordinator & on-set supervisor: MPC | |
| Patrick Zentis | digital matte artist: MPC | |
| Hayley Collins | roto/prep artist: MPC (uncredited) | |
| Martyn Drake | systems: MPC (uncredited) | |
| Christina Boon | digital artist: MPC | |
| Delphine Buratti | digital compositor | |
| Nick Cannon | head of technology: MPC | |
| Alfonso Cottier | 3D Modeller: MPC | |
| Tom Cowland | render technical director | |
| Charles Darby | matte paintings | |
| Martin R. Davison | digital compositor: MPC | |
| Niall Flinn | effects technical director | |
| Lisa Gonzalez | matchmove artist: MPC | |
| Lionel Heath | roto/prep artist: MPC | |
| Uzma Khalid | digital effects artist | |
| Philip Koch | lead modeler | |
| Stuart Lashley | lead compositor | |
| Bjorn Liljequist | lighting technical director | |
| Mike O'Neill | digital lighting artist | |
| Geoff Pedder | lead CG lighting | |
| Tom Phillips | effects technical director | |
| George Plakides | lighting technical director: MPC | |
| Martin Riedel | lead compositor: MPC | |
| Daniel Walton | previs artist | |
| Christine Wong | digital compositor | |
| Anna Yamazoe | matchmove Artist: MPC | |
| Richard Bain | digital compositor: BainVFX (uncredited) | |
| Julian Blom | animation coordinator: MPC (uncredited) |
| Rick English | stunt double: Pinbacker | |
| Justin Pearson | stunt double | |
| Kevin Welch | wire effects coordinator | |
| Justin Pearson | stunt double | |
| Nicholas Daines | stunt double: Cillian Murphy | |
| Glenn Foster | stunt double |
| Stuart Bell | grip best boy: second unit | |
| Bob Bridges | video and computer playback coordinator | |
| Stuart Bridges | video assist operator | |
| Dougal Cadiou | assistant accountant | |
| Sarah Clark | publicist | |
| Will Davis | casting associate | |
| Paul Edwards | steadicam operator | |
| Penny Frost | production runner | |
| Steve Harrow | post-production consultant | |
| Andrew Jack | dialect coach | |
| Lizzie Kelly | video assist operator: second unit | |
| Ray Lloyd | wire rigger | |
| David Maund | key grip: second unit | |
| Kate Penlington | production coordinator | |
| Steve Petrie | video/computer operator | |
| Catriona Richardson | second assistant editor | |
| Richard Rowntree | assistant: Steve Harrow | |
| Richard B. Shean | computer/video playback operator | |
| Peter Talbot | director of photography: second unit | |
| Andrew Weller | wire rigger | |
| Maurice Weller | wire rigger | |
| Verity Wislocki | assistant production coordinator | |
| Mark Wright | negative cutter | |
| Carla Bartley | set production assistant: FT2 | |
| Simon De Glanville | daily central loader | |
| Steve Finberg | day electrician | |
| Reuben Garrett | gaffer | |
| Chris Gilbertson | console operator | |
| Emanuele Giraldo | first assistant editor | |
| Mark Goodman | stagehand | |
| Paul Hatchman | second grip | |
| Tess Malone | script supervisor: model unit | |
| Stephen Mathie | console operator | |
| Joe McGee | h.o.d. practical electrician | |
| Olly Tellett | focus puller | |
| David Weller | rigger | |
| Harry Wiggins | gaffer: second unit | |
| Anna Worley | script supervisor | |
| Susan Chika Anisiobi | second assistant accountant | |
| Greg Barrett | scanning producer | |
| Rebecca Budds | film scanning coordinator | |
| Stephen Coleman | orchestrator | |
| Clare Cunningham | assistant accountant | |
| Lorene Dewett | apprentice assistant editor: FT2 | |
| Matt Dunkley | conductor | |
| James Enright | costume fabrication supervisor | |
| Ben Gladstone | location manager | |
| Sharon Mansfield | script supervisor: second unit | |
| James McKeown | modeller | |
| Leigh Nicol | daily wardrobe assistant | |
| Tina Richardson | second assistant editor | |
| Alice Syed | production trainee: FT2 | |
| Alex Warder | assistant production coordinator | |
| David Wheal | casting assistant | |
| Dr. Brian Cox | science consultant | |
| Alec Gibson | laboratory grader | |
| Clive Noakes | laboratory contact | |
| Joanne Smith | business affairs |