| Jim Wilson |
| 哈威·凯尔 | George | |
| 卡梅伦·迪亚兹 | Nathalie | |
| 克雷格·谢菲尔 | Lance | |
| 比利·泽纳 | Kent | |
| Shay Duffin | Policeman |
| Geir Eriksen | (screenplay Hodet over vannet) | |
| Eirik Ildahl | (screenplay Hodet over vannet) & | |
| Theresa Marie | (screenplay) |
| Guy East | executive producer | |
| John M. Jacobsen | producer | |
| Maria M. Machado | associate producer | |
| Helen Pollak | co-producer | |
| Tristan Whalley | executive producer | |
| Lynne Whiteford | associate producer | |
| Jim Wilson | producer |
| Christopher Young |
| Richard Bowen |
| Michael R. Miller |
| Elisabeth Leustig |
| Jeffrey Beecroft |
| Joseph P. Lucky |
| Susan De Havenson |
| Colleen Atwood |
| Bernadette Mazur | makeup artist | |
| Anne Morgan | hair stylist |
| Jami Abell | executive in charge of production | |
| Helen Pollak | unit production manager | |
| Sara Spring | production supervisor |
| Lee Cleary | first assistant director | |
| Trey Batchelor | second assistant director | |
| Ken Paull | second second assistant director |
| Ezra Burke | set dresser | |
| Greg John Callas | construction coordinator | |
| John Ceniceros | lead man | |
| Giovanni Ferrara | head painter | |
| Gayle Gilberto | set dresser | |
| Michael Hansen | assistant property master | |
| Lara Kelly | art department coordinator | |
| Peter Letzelter-Smith | set dresser | |
| James J. Murakami | set designer | |
| David J. Negron | storyboard artist | |
| Kris Peck | property master | |
| Scott Purcell | graphic artist | |
| Thomas H.E. Scruggs | set dresser | |
| Kenneth Weinberg | set dresser |
| James Ashwill | foley mixer | |
| Petra Bach | adr editor | |
| Odin Benitez | sound effects editor | |
| Bill W. Benton | sound re-recording mixer | |
| Ed Callahan | dialogue editor | |
| Simon Coke | dialogue editor | |
| Keth R. Comollo | cable person | |
| John T. Cucci | foley artist | |
| Robert Fernandez | score mixer | |
| Robert Fitzgerald | supervising sound editor | |
| Leslie Gaulin | foley editor | |
| Patrick Giraudi | sound re-recording mixer: restoration | |
| Richard Bryce Goodman | production sound mixer | |
| Randall Guth | adr assistant | |
| Allan Hartz | sound effects editor | |
| David J. Hudson | sound re-recording mixer | |
| Tom Kramer | music editor | |
| Lance Laurienzo | first assistant sound editor | |
| Deidre Leonard | apprentice sound editor | |
| Linda Lew | foley recordist | |
| Mark 'Frito' Long | sound recordist | |
| Gail K. Markley | supervising sound editors assistant | |
| Thomas Milano | supervising music editor | |
| Dan O'Connell | foley artist | |
| Douglas Parker | second assistant sound editor | |
| Jeffrey Perkins | supervising re-recording mixer | |
| Jeff Rosen | dialogue editor | |
| Sean Rush | boom operator | |
| Christina Tucker | adr mixer | |
| Christopher T. Welch | sound effects editor | |
| John O. Wilde | foley editor | |
| Tom Williams | cable person |
| Dale Ettema | special effects assistant | |
| David Fletcher | special effects assistant | |
| Bruce Minkus | special effects assistant | |
| Michael Roundy | special effects assistant | |
| Eric Rylander | special effects coordinator |
| Blaise Corrigan | stunts | |
| Christina Fetters | stunts | |
| Steve Ritzi | stunts | |
| G.A. Aguilar | stunt coordinator |
| Christopher Young | orchestrator | |
| Anastas N. Michos | camera operator: "a" camera | |
| Pete Anthony | orchestrator | |
| Cha Blevins | costume supervisor | |
| Kathy Bouchard | location projectionist | |
| Eric Boyle | grip | |
| Susan Brown | casting assistant | |
| Gary Burritt | negative cutter | |
| Al Cerullo | helicopter pilot | |
| Sandy DeCrescent | orchestra contractor | |
| Alan R. Disler | first assistant camera | |
| Toby Emmerich | executive in charge of music | |
| Jimmy Flynn | transportation coordinator | |
| Sandy French | assistant film editor | |
| Cynthia Gengras | production coordinator | |
| Adam Gilmore | second assistant camera | |
| Jamie Heans | craft service | |
| Dustin A. Huber | electrician | |
| Dan Kelley | camera technician: Wescam camera | |
| Sara King | executive in charge of post-production | |
| Sarco Kirklian | grip | |
| Donald Kozma | electrician | |
| Marcel LaMarre | stand-in | |
| Tobey L. Levine | location assistant | |
| Loren Lockwood | assistant: Mr. Keitel | |
| Gregg London | associate film editor | |
| Shauna Mackerer | stand-in | |
| David Norris | camera operator: Wescam camera | |
| Jeremy Oswald | location assistant | |
| Tom Pakenham | set production assistant | |
| Dawn Patch | craft service | |
| Skip Peacock | stand-in | |
| Michael Peavey | helicopter pilot | |
| Bruce Pern | electrician | |
| Keith Popely | key set production assistant | |
| Eva Prappas | costumer | |
| Cynthia Quan | production accountant | |
| Patrick Quinn | set production assistant | |
| Dennis Rice | best boy electric | |
| Terri Rocheleau | extras casting | |
| Jonathan A. Rosenfeld | transportation coordinator | |
| Liza Rudolph | set production assistant | |
| Dana Sano | music executive | |
| Mike Schwake | dolly grip | |
| Lorey Sebastian | still photographer | |
| Don Selsor | best boy grip | |
| Pat Shellenberger | gaffer | |
| Jon Sperry | dialect coach | |
| Mike Stanwick | color timer | |
| Greg Stevens | stand-in | |
| Gregg Taylor | assistant production coordinator | |
| Cynthia Upstill | script supervisor | |
| Danny Williams | grip | |
| Tim Wilson | location manager | |
| Bill Young | key grip | |
| Victoria A. Zamora | post-production accountant | |
| Michael Avallon | driver | |
| Adam Geiger | underwater photographer |