| Ken Olin |
| 加布里埃尔·安瓦 | Jessica Stuart | |
| Don Johnson | Sgt. John Libbey | |
| 克雷格·谢菲尔 | Lt. Marshall Buxton | |
| 罗德·斯泰格尔 | Col. Owen Stuart | |
| Warwick Young | Briefing Officer | |
| Andrew Booth | Private | |
| Anthony Cocks | Reporter #2 | |
| Robert Coleby | Sgt. James Shattuck | |
| Adam Couper | First Man | |
| Terence Crawford | Maj. Timothy Forrest | |
| 彼德·卡尔丁 | Sgt. Ernest Gruber | |
| Christopher Dibb | Evan Buckley | |
| 罗伯·高顿 | Col. John Hardesty | |
| Nick Holland | Royal Canadian Mounted Police (RCMP) Sergeant | |
| John Dennis Johnston | Sgt. Thomas Mulcahey | |
| Peter Kent | Corporal at roadblock | |
| Justin Monjo | Capt. Geoffrey Overton | |
| Colin D. Martin | Bonus Army Leader | |
| Brian McDermott | Sgt. Nathaniel Rutherford | |
| Scott McLean | Reporter #1 | |
| Neil Melville | Sgt. Sean Quinlain | |
| 詹姆斯·斯金 | Gen. Douglas MacArthur |
| Dennis Lynton Clark | (written by) |
| 杰弗芮·海斯 | executive producer | |
| Anne Hopkins | producer | |
| Larry Peerce | co-executive producer | |
| Marian Rees | executive producer | |
| Darryl Sheen | line producer |
| John Debney |
| Stephen F. Windon |
| Skip MacDonald | (co-editor) | |
| Elba Sanchez-Short |
| Phyllis Huffman |
| Stewart Burnside |
| Eugene Intas |
| Lisa Brennan | ||
| Suza Maybury |
| Anna Baulch |
| Sue Kelly-Tait | makeup artist: second unit | |
| Karla O'Keefe | key makeup artist |
| Tom Hoffie | unit production manager | |
| Gina Black | production manager: second unit |
| Ian Barry | second unit director | |
| Ian Kenny | first assistant director: second unit | |
| James Leslie | first assistant director | |
| Richard McGrath | second assistant director | |
| Charles Rotherham | first assistant director |
| Bob Booker | props: second unit | |
| Mark Brims | set dresser |
| Paul 'Salty' Brincat | sound mixer | |
| Neil Brody | sound re-recording mixer | |
| Cary Butler | score mixer | |
| Elijah Schkeiban | assistant sound editor | |
| Zigmund Gron | dialogue editor | |
| Edmund J. Lachmann | dialogue editor | |
| Mike Le Mare | supervising sound editor | |
| Howard London | adr mixer | |
| Murray McFadden | score mixer | |
| Chip Mullaney | sound effects editor | |
| Keith Olson | foley artist | |
| Timothy Pearson | foley artist | |
| Tim Philben | sound re-recording mixer | |
| Allan K. Rosen | music editor | |
| Carmine Rubino | foley mixer | |
| John Schiefelbein | sound mixer | |
| Brady Schwartz | foley editor | |
| Tom Scurry | sound effects editor | |
| John J. Stephens | sound re-recording mixer | |
| Karola Storr | foley editor | |
| Patty von Arx | music editor |
| Bruce Bright | special effects technician | |
| Brian Holmes | special effects coordinator |
| Chris Anderson | stunt coordinator: second unit | |
| Peter Armstrong | stunt coordinator |
| Stacey Adams | assistant: Mr. Olin | |
| Ric Anderson | horse master | |
| Wendy Asher | stand-by wardrobe | |
| Dyan Conway | assistant to producer | |
| Jennifer Cornwell | production coordinator | |
| Browyn Doherty | stand-by wardrobe: second unit | |
| Phil Eagles | costume supervisor | |
| Cindy Golin | post-production supervisor | |
| Tony Hall | key grip | |
| Judy Hallin | assistant to producer | |
| Olivia Harris | casting associate | |
| Carolyn Johns | still photographer | |
| James Legge | location manager | |
| Con Mancuso | gaffer | |
| Sally Mann | script supervisor: second unit | |
| Michael S. McLean | livestock coordinator | |
| Ken Moffatt | gaffer: second unit | |
| Allan Mowbray | armorer | |
| Dan Muscarella | color timer | |
| Don Nemitz | orchestrator | |
| Kurt Olsen | key grip: second unit | |
| Robert Parigi | post-production supervisor | |
| Marc Spicer | camera operator | |
| John Stokes | director of photography: second unit | |
| John Suhr | transportation coordinator | |
| Jackie Sullivan | script supervisor | |
| Mike Underwood | colorist |